Our Characters
Cabezudos
The tradition of the cabezudos began in Spain around the 12th century specifically in festivities in northern Basque Country, and in the provinces (then kingdoms) of Aragon and Valencia, among others. According to Spanish historian Javier Aparicio, the tradition became widespread as the catholic kings conquered Spain again from Islamic rule in the late 15th century. The reason, according to Aparicio, was that Islamic law prohibited depictions of saints and even ordinary people so when the Catholics regained power these restrictions were eliminated and the use of cabezudos and giant puppets proliferated through most regions.
Vejigantes
The "Vejigantes" of Puerto Rico are colorful and vibrant characters deeply rooted in the island's cultural traditions, particularly in the town of Ponce. The term "Vejigante" roughly translates to "big bladder" or "cow bladder" in English, referencing the inflated, balloon-like masks traditionally worn by performers.
The Vejigantes are often portrayed as mischievous and whimsical figures, wearing elaborate costumes adorned with bright colors, masks, and sometimes horns. The masks, traditionally made from papier-mâché, feature exaggerated facial expressions, including wide eyes, sharp teeth, and protruding tongues.
During festivals, particularly the Carnaval de Ponce, the Vejigantes take to the streets, dancing and engaging with the crowd. They playfully chase spectators with inflated cow bladders or whips, adding an element of excitement and fun to the festivities.
The origins of the Vejigantes trace back to a blend of Indigenous, African, and European influences, embodying the cultural fusion that characterizes Puerto Rican identity. They serve as a symbol of resilience, creativity, and celebration, representing the vibrant spirit of the island's people.
Hatillo Mask
The Day of the Masks, celebrated on December 28 every year without interruption, is one of the most emotional traditional activities of the Island. Its colorful and festive make the act, but the first, one of them, as a collaboration summit in the culture of Puerto Rico. This is a custom that has varied only in clothing, but it follows its essence since it was imposed on Hatillo following its foundation in 1823.
The Spaniard
The "Caballero Español" of Loíza, Puerto Rico, is a traditional character and dance associated with Afro-Puerto Rican culture, particularly in the town of Loíza. The term "Caballero Español" translates to "Spanish Gentleman" in English.
In this cultural performance, participants, often men dressed in elaborate costumes resembling Spanish colonial attire, dance to lively music, sometimes incorporating elements of satire and humor. The dance may feature dramatic movements and gestures, reflecting a mix of African and Spanish influences that characterize Puerto Rican culture.
The Caballero Español dance is often performed during festivals, parades, and other cultural events in Loíza and other parts of Puerto Rico. It celebrates the island's rich heritage and serves as a reminder of its complex history, blending Indigenous, African, and European influences into a unique cultural identity.
Rey Momo
"Rey Momo" is a traditional figure associated with Carnival celebrations in many Latin American countries, particularly in Brazil and Colombia. The term "Rey Momo" translates to "King Momo" in English. King Momo is often depicted as a jovial and larger-than-life character, symbolizing excess, indulgence, and revelry.
During Carnival festivities, which typically occur before Lent, King Momo presides over the celebrations as a symbolic ruler of merrymaking and festivity. In some traditions, a person is chosen to portray King Momo and is given ceremonial responsibilities, such as leading parades, declaring the start of Carnival, and encouraging people to engage in joyful and uninhibited celebrations.
The concept of King Momo underscores the spirit of Carnival, which is a time for people to come together, let loose, and enjoy life to the fullest before the solemn period of Lent begins. It's a colorful and vibrant celebration deeply rooted in cultural and historical significance across Latin America.
Wise Men
The Three Wise Men, also known as the Three Magi or the Three Kings, are figures primarily recognized in Christian tradition, particularly in the Nativity story. According to the Gospel of Matthew, they traveled from the East to Bethlehem following a star, which led them to the newborn Jesus. Tradition holds that they brought gifts of gold, frankincense, and myrrh, symbolizing Jesus' kingship, divinity, and eventual sacrifice, respectively. The exact identities of the Wise Men are not specified in the Bible, but they are often depicted as three individuals named Melchior, Caspar (or Gaspar), and Balthazar. Their visit to Jesus is celebrated on the Feast of Epiphany, observed on January 6th in many Christian denominations, marking the revelation of Jesus as the Son of God to the Gentiles.
The Old Men
The "Viejitos de Michoacán," or "Little Old Men of Michoacán," is a traditional dance and cultural performance originating from the state of Michoacán in Mexico. In this lively and colorful dance, performers, often young men dressed as elderly individuals, wear masks, hats, and shawls adorned with ribbons and bells. They use exaggerated movements and gestures to depict the playful antics of older individuals, often accompanied by music and singing. The dance celebrates Mexican culture, folklore, and traditions, and it's commonly performed during festivals, holidays, and other cultural events in Michoacán and beyond. It's a beloved and cherished part of Mexican cultural heritage, showcasing the vibrancy and diversity of the country's traditions.
Other Characters
More Information coming soon